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ABOUT
LISE |
INTRODUCTION
Lise Winne makes her living through a number of artistic disciplines including music and several visual art mediums.
MUSIC
Lise Winne is a respected award winning musician and singer/songwriter and is a member of 2 bands, Saratoga Faire (Celtic, folk, originals) and The Spirites Consort (cross-over music which includes fresh interpretations of Renaissance, classical and folk covers as well as originals which defy easy categorization). She also occasionally plays in a duo with Jim Lestrange (who plays hammered dulcimer, bass, guitar and is a songwriter). She released 4 CDs since 1996 and is currently at work with her band, Saratoga Faire, on a new CD. Her CDs include Christmastime (1996), Come To Me In Dreams (1998), Wing’d With Hopes: New Interpretations of Renaissance Songs (2001) and The Goldenrod (2004). Musicians from The Spirites Consort were heavily featured on both the Wing’d with Hopes and The Goldenrod CDs. For more information about her albums, click here.
Lise Winne began playing guitar at age 10. She was also a voracious reader and prolific writer and, in the beginning, had designs on being a novelist, poet, essayist and lyricist. During the time she attended college, she entered some creative writing contests at a writer's conference and received top awards in poetry and fiction from such renowned writers as William Bronk (National Book Award winner) and Paul Auster (well-known screenwriter, novelist and poet). Afflicted with severe asthma, Lise never thought that a career as a singer would ever be a possibility, however after many years of treatment, a path became possible.

She
started out as a solo act performing a wide assortment of genres from classical
to acoustic rock in 1993. After recording numerous demos of every category of
music imaginable from 1996 – 1999 (the best of these recordings making it onto
the “Come To Me In Dreams” album), she decided to change course. Her
preferred direction was to create recordings based on a theme that would add
something new and challenging to the field of music. For the first effort, she
wanted to feature her classical and folk backgrounds. The union of classical
music with folk music turned her in the direction of the music of the
Renaissance era. This eventually culminated after many years with her
“Wing’d With Hopes” album, a recording that sounds very much like a folk
album on some tracks and very classical on others and somewhere in-between on
most. Her latest album, “The Goldenrod”, is even harder to categorize and
has elements of jazz, folk, new age, and Renaissance. This is the album that
showcases her abilities as a lyricist and composer and brings into play her
creative writing experience.
Lise
brought together the musicians which comprise the Spirites Consort for the
“Wing’d With Hopes” CD. Each musician is classically trained and has a
background in improvisational technique which provides the group with much of
their signature sound. Members of the Spirites Consort are also heavily featured
on “The Goldenrod” CD and portray the players other musical styles and
abilities: Jeff Belding’s gifts as a rock and bluegrass player, Joe Davoli’s
Irish figures on the fiddle, and Rick Eckberg’s talent as a jazz player. For
more information about The Spirites Consort, click
here.
In winter of 2003, Jeff Belding and Lise Winne met up
with Jim Lestrange and Frank Orsini at a Dance Flurry event. They formed
Saratoga Faire that summer. The main impetus for this group was to perform folk,
Celtic and originals. Half of the repertoire is made up of songs and half is
instrumental. For more information about Saratoga Faire, click
here.
LISE’S CURRENT CONCERT SCHEDULE
SOME OF LISE’S PAST CONCERT VENUES AND
RESUME
ART
Lise received a BS in Studio Art from
Lise is a member of several art councils and is a curator for Fulton Street
Gallery in
Lise’s
pottery has many figurative elements. Emotive, spiritual and message-laden
components in vessel art have always struck her as just as important as the
ambition to create new, provocative, or structurally challenged work. While her
vessels are simple architecturally to complement the more complex
inter-relationships of figures and patterns, they are challenging in terms of
height, type of clay used and sculptural appendages.
Lise’s
drawings, paintings, greeting cards and works in fabric were a natural
progression and in the beginning served as a kind of complement to her line of
production pottery, with many of the same issues, figures and design elements.
Her heavy use of borders arose out of a habit of using the rims on her bowls,
platters and vases to frame what the figures were doing inside or to give a
general theme or pattern to the message of the piece. To view her web-gallery, click
here.
In
the Future, Lise’s plans are to integrate her music with her visual art.